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The Swiss Ambassador, who was the dead woman's lover, refuses to cooperate with the police due to his diplomatic immunity. John Norton, an ex-cop famed for his brutal working methods, is brought in to help and gets too deeply involved when he starts an affair with the Ambassador's beautiful step-daughter, Helen.

Meanwhile, the brutal killings continue. Not released since ban Germany: Banned by the BBFC from cinema release. Unbanned and uncut in Resplendent in khaki shorts Dyanne Thorn returns in the storming sequel to She Wolf , and it seems to have been given a budget boost, as the setting moves to an Arabian oils sheik's kingdom in the middle of the desert, where Ilsa presides over his palace as right hand security guard and keeper of his harem of kidnapped beauties.

The film doesn't quite match the excesses of the first film in bad taste, and the camp comedy elements have all been increased, but there are still many gruesome scenes as the harem women are abused and tortured for various reasons, including a pretty revolting sub-plot to assassinate the sheik by deploying a bomb placed inside a woman's body that will detonate during sex!

Uniform fans will be pleased to see Ilsa resplendent in her khaki shorts and boots, but she does not have the same presence as in the previous film because she is herself punished at one point by despotic sheik, and its a shame to see that the film recycles her weakness of falling in love with a hunky American, which once again leads to her downfall.

Passed 18 uncut Netherlands: The R Rated version is significantly cut for: No submission since the bans. Brutal This film takes place in a Nazi concentration camp dedicated to pseudo medical experimentation on its prisoners. Ilsa, the commandant is portrayed in ruthless fashion by the stunning Dyanne Thorne.

Thorne designs and carries out the most excruciatingly painful and torturous experiments on her helpless victims. Thorne is the essence of cruelty for cruelty's sake.

Thorne is the screen's incarnation of pure evil. I can think of no other film that is as disturbing as this one. The explicit sadism portrayed in this film may or may not have actually occurred as depicted. But unthinkable sadism, torture, cruelty and debauchery did actually occur in Nazi camps. This is an unbelievably difficult film to watch because the brutality depicted is extremely graphic. After viewing this film I was shocked and I had a feeling of just how brutal the Nazis actually were.

Summary Notes Stark melodrama about two thrill seeking tough guys who terrorize late-night passengers on a New York City train. The random victims are more concerned with their own problems than helping each other and pray that they won't be next. But it's going to take a lot more than prayer to end this nightmare of fear and violence.

Film debut of both Martin Sheen and Tony Musante as the hoodlums. Passed 12 uncut for moderate threat, violence, discriminatory language, sex references for: Initially banned by the BBFC for cinema release but this decision was overturned on appeal. Then released with an 18 rating for cinema and VHS. See article from en. Salman Rushdie is depicted in the film played by Afzaal Ahmad.

He is portrayed as a criminal mastermind, working for an international organization devoted to destroying Islam. The film was banned by the BBFC. The board cited the safety of Salman Rushdie as an argument for refusing the certificate, arguing that it could inflame some to violence. As a writer, I am opposed in principle to the use of the archaic criminal laws of blasphemy, sedition and criminal libel against creative works, even in the case of a film which quite plainly vilifies me. The ban was then overturned on appeal and the film was passed 18 uncut.

If that film had been banned, it would have become the hottest video in town: While the film was a great hit in Pakistan, it enjoyed only a limited release in the West, where it went virtually unnoticed. Based on an initial review by the council, it was identified that two of the films could likely be rated R18 if a full assessment were carried out under the guidelines issued by the BBFC.

These types of films can only be shown in specially licensed sex cinemas or supplied by licensed sex shops. The entertainment license for the Thameside Theatre does not allow them to show R18 films which means that these two films cannot form part of the festival. A jungle in an undisclosed Philippine location hosts a middle-aged woman who runs off with a baby, two juveniles lost in sexual games, military cadets leisurely wandering about and a guide with an obscure presence. All consumed with the game of their own lives until the jungle comes to play.

Summary Notes Two sisters, Justine and Juliette, are as different as it's possible to be, but they both wind up working as prostitutes. The main difference between the two, however, is that Juliette enjoys every minute of it, romping with the rich and powerful in the lap of luxury, while Justine detests her position, lives in squalor and poverty and is dragged deeper and deeper into degradation and perversion. With Max Gardens, Frank A.

Staggeringly bad This was the first film produced by Harry Novak. Sterilox, asexual ambassador from a distant planet, comes down to earth in search of feminine breeding stock. A mad scientist treats the alien to dancing sex robots. OK Kiss Me Quick is one quirky film with very little plot and enough bare chested women to go around for all. But of course that makes it bad enough to be good. Passed 18 uncut for strong sex, sexualised nudity for: Distributor pre-cuts reduced the length of a masturbation scene and removed some of the more explicit shots from the dream sequence, in which the heroine imagines having intercourse with the beast.

In spite of the reductions already made, the Board was sceptical about whether the film would be acceptable to the majority of local authorities, on whose behalf the BBFC classified films.

Part of the problem was the film's sexual explicitness, even in the reduced version, which exceeded the standards currently accepted for the X category. However, a more serious problem was whether the central dream sequence might raise legal issues because of its suggestion of bestiality.

James Ferman wrote to the distributor: We see considerable problems in passing this film as it stands, although I realise you have made a few cuts of [sic] the most extreme sexual material. Certainly, there are still a great many shots which we feel might be vulnerable at law, and beyond that, there is also much footage which we feel vastly exceeds the standards accepted by the vast majority of local authorities. The problem is that, with a director of Borowczyk's stature, the cutting required might be such as to damage the film artistically, and I do not think the Board would want to become involved in a war of attrition on a film of such consequence.

The film was further pre-cut to address James Ferman's concerns of: The film was also shown in cinema clubs without a BBFC certificate. Most controversial film of the decade An insane adult reworking of The Beauty and the Beast tale.

This erotic fable was originally to be part of the Immoral Tales anthology, yet was put aside due to it's controversial subject matter then later transformed into this film. The financially unstable son, Mathurin Pierre Benedtti , and very rich, and horny Lucy Broadhurst Lisbeth Hummel are soon to be arranged in marriage. The home is full of history relating to the families most famous ancestor, Romilda. Lucy immediately becomes fascinated with Romilda, and stumbles upon her diary. This scene is both shockingly powerful and hilariously funny all at once.

Combining black humour, with graphic sexuality. Passed 18 uncut The Director's Cut was passed 18 uncut for: Later passed 18 uncut for VHS. The film was originally shown unlicensed in the UK at the Curzon Cinema in Mayfair, and led pro-censorship campaigner Mary Whitehouse to bring a prosecution against the film under the Vagrancy Act accusing the cinema owners of keeping a disorderly house.

The case was thrown out and led censor James Ferman to extend the Obscene Publications Act to cover films, thus preventing movies with artistic merit from suffering prosecution. The film was eventually passed fully uncut for video in Summary Notes Four successful middle-aged men Marcello, a pilot; Michel, a television executive; Ugo, a chef; and, Philippe, a judge go to Philippe's villa to eat themselves to death.

After the first night, Marcello insists that women should join them. Three prostitutes make it through a day or two; Andrea, a local school teacher, stays to the end. The villa, the food, and a Bugati roadster are essential props. Passed 18 uncut for strong sex for: Quite spectacular The film offers two wonderful swordswomen for the price of one.

Shih Szu plays an eager, whip-wielding aspiring swordswoman who seeks to track down Lady Hermit and become her student. Lady Hermit and her two followers engage the gang in a series of extremely lively sword battles which are spread throughout the entire film. There are several great set pieces, including a bit where the characters fight on one of those perilous rope bridges across a gorge and the bad guys cut the ropes and Shih Szu has to hang on to the dangling remains of the bridge and climb and fight her way to the top.

The climactic battle in a towering pagoda is quite spectacular. Never released since US: Not recommended Transferred from old s video tape. It is about old duffers talking about sex. In the US the Original Theatrical Version was uncut and X rated but was soon heavily cut for local censorship requirements and then for a series of attempts made in attaining an R rating.

Much of the material cut for an R rating has now been declared lost. In director Wes Craven assembled his best remaining material previously cut from the film and declared that this version was his Director's Cut.

The film, presumably still in the R rated version was released in the UK when BBFC certificates were not required but it was soon banned as a 'video nasty'. In the DVD was resubmitted and was again banned, but this time cuts were being discussed. A resubmission in resulted in a BBFC offer of an 18 rating after cuts. The distributors appealed against the cuts but lost their case, and ended up with even more cuts than requested by the BBFC. See further cuts details at Melon Farmers Film Cuts: Last House on the Left Summary Review: Brutal Realist Tragedy While I think that people tend to get a bit hyperbolic when they talk about The Last House on the Left , I do think it's a fairly good film, especially given what the filmmakers were trying to do and considering their lack of experience, the era and the budget.

Also, despite a filmic precursor, it just may be the earliest example of the horror subgenre of brutal, realist tragedy. However, it has flaws that would be difficult to overlook in a distanced assessment of the film. But again, focusing on that amounts to hype now, and shouldn't be taken too seriously, lest it lead to inflated expectations. Just as surprising on a first viewing is that The Last House on the Left has an intermittent goofy sense of humor and a groovy attitude that is firmly mired in the early s.

The two policemen are really comic relief characters and very funny at that , but there is also a lot of humor surrounding the criminal quartet--this almost becomes a black comedy at times. These sensibilities even extend to the music, which has a frequent hillbilly edge and lyrics that supply ex-positional material. Surprisingly, Hess, who plays Krug, wrote the music.

Cut by the BBFC for an X rated cinema release, although a few local authorities banned the film anyway. Later passed uncut for all releases since Obscenity Prosecution The Festival of Light, a pro-censorship pressure group, started a concerted campaign to prevent the film reaching British cinema screens, circulating copies of the script to MPs and writing to local authorities - with considerable success, since several dozen banned it.

However, it received favourable write ups from the film critics and played unopposed in most areas. Events took an unprecedented turn, however, when Edward Shackleton, a Salvation Army member, brought a private prosecution against the film's distributors for publishing obscene material.

Passed 18 with previous BBFC cuts waived for: Uncut and NC Rated for: Banned from cinema release by a few local authorities. Pre-release press hype suggested that the film would contain a blasphemous scene in which Christ fantasises on the cross about making love to Mary Magdelene. The Board received nearly two thousand letters and petitions from the public and pressure groups, a majority anxious about what they regarded as potentially blasphemous content, and the minority supporting the film's uncut release in the UK.

The BBFC took the unusual step of inviting twenty-eight representatives of the major Christian churches to view the film at the Board, and also took legal advice from a QC before making a decision. All who saw the film at the BBFC agreed that the film was not blasphemous in the legal sense, although it might have the capacity to offend some Christian viewers.

The film was duly passed 18 in without cuts and subsequently viewed by the Director of Public Prosecutions who supported the BBFC's decision that the film was not likely to be found Guilty of blasphemy by a Jury. A handful of local authorities took the decision to ban the film, on the grounds of possible offence in response to petitions against it rather than blasphemy. At the BBFC the film was passed 18 uncut for: Cinehollywood released an uncut video in November under the title Night Train Murders.

This version was listed as a video nasty in July Good production values, excellent cinematography, an Ennio Morricone score, decent acting and a tight script.

The first third of the film introduces the main characters, most of whom seem to be prone to indulging in one perversion or another. The "defilement" section of the film is a gripping, harrowing affair that escalates in viciousness before climaxing in a very brutal fashion.

The final act does not live up to the scenes that precede it. The director's desire to keep from glamorizing violence is probably why the ending feels somewhat restrained. Passed 18 uncut for strong scenes of sexual violence for: Texas Chainsaw Massacre 3 Leatherface Leatherface: Banned by the BBFC for cinema release in Note that other cuts were implemented at an early stage of editing. These scenes were never completed and the unprocessed rough cuts have become DVD extras.

Unique and interesting The film itself is extremely well-acted, especially by the lead, Kate Hodge. It is however, not the most pleasant film you will ever see and if the filmmakers intended it to be a gruelling and punishing experience, they definitely succeeded. Despite these strong performances and excellent and very gruesome special make-up effects, the completed film is left damaged and confused in several key places.

But, it is still one of the better entries in this particular series and is well-worth a look as a unique and interesting horror film.

The uncut US Unrated Version was passed 18 uncut for: Not for the faint of heart This hilarious and horrifying documentary on transsexuals includes actual surgical footage of the operations and close-up looks at the results inside and out.

Not for the faint of heart. Promotional Material Two beautiful teenage hitchhikers are picked up by a wealthy older man and brought to his mansion, with lustful intentions.

However, his erotic dream soon turns into a horrifying nightmare as the seemingly innocent girls begin to reveal their own deadly intentions Starring Sandy Dempsey in a career performance. Never released since ban US: Passed X after cuts UK: Passed X 18 after compulsory cuts for: Heavily cut on 18 rated DVD to remove sexualised torture and nudity of an under 18 year old actress.

The DVD was passed 18 after 6: The cuts were Compulsory. Distributor was required to cut indecent images of a child under the terms of the Protection of Children Act , and images of sexualised torture.

Resubmissions of old works highlighted the impact of the change in the definition of a child. Love Letters Of A Portuguese Nun featured sexualised nudity involving an actress who was under 18 at the time of filming. Her confessor is in collusion with the Mother Superior. Maria is tortured, forced into sex with men, women, and the horned Devil, and told that it's all a bad dream. She writes a letter to God, and a Knight rescues her, only to fall into the hands of the Inquisition, put on the rack, and condemned to death like Joan of Arc.

Passed 18 after 6: UK cinema release From on article [pdf] from palgrave. Not seeking to entertain Love Variations , one of the first British sex education films to show nudity in the UK, consisted entirely of alternating scenes of a family doctor showing diagrams of sex positions and illustrative tableaux of posed figures faking coition in increasingly unlikely and back-breaking postures.

The producers, of course, stressed their good intentions to the censors. The press book for Love Variations stated, a little disingenuously: The film does not seek to entertain -- only to inform. The producers wish to point out that although the film is frank, comprehensive and explicit it will almost certainly prove unrewarding to those looking for titillation or sensation and will be of interest only to those motivated by a sincere desire to be informed.

The BBFC, indecisive about how to treat sex education films, accepted this but nevertheless at first rejected Love Variations on the splendidly perverse grounds that since the film was not entertaining it was unsuitable for cinemas, which were essentially places of entertainment. Passed 15 uncut for strong violence and injury detail for: This is a sombre drama and the violence is depicted realistically, with a strong emotional impact.

In the opening scene people are forced off a bus and made to kneel in a field as they are massacred. Blood spurts are seen as several of them are shot in the back, and in a more distant image a little girl is shot too as she tries to run away. Several executions are shown, including a man tied to a post, his body juddering under fire with lots of blood as he is killed. Now the film has been banned by British cinemas in August UK cinema chains, Cineworld, Odeon and Vue, have banned the film saying in a statement: Our policy is to show a wide range of films for different audiences We apologise for any inconvenience.

Press reports suggested that some Tamils had complained that the film was anti-Tamil. James Ferman explained the cinema ban: After a second viewing with Lord Harlech and other Examiners, we now agree that this is really a picture which cannot be granted a national certificate at this time. We all feel it is a film of some merit which deserves a showing in Britain, but its subject matter and very frank treatment would, we believe, make it unacceptable to the majority of licensing authorities in the country without very heavy cuts, and these might change the nature of the film.

During the burglary he encounters Ariane Bulle Ogier who he had met earlier, but this time she is a dominatrix who controls situations as she dives into other people's madness. Olivier is spellbound by Ariane as he falls in love with her, and it leads him into a scorching affair where he is bound to be burnt as he is mystified by Ariane's dark trade.

Maitresse is an avant-garde film as it explores in-depth the theme of sadomasochistic fantasies and its sub-culture as set in a love story. The GLC also refused a local cinema certificate while Berkshire passed the film for local distribution after cuts.

However the film was shown uncut on the cinema club circuit. The BBFC required 4: Banned as a video nasty in Passed 18 after extensive animal cruelty cuts for DVD. Uncut in the US Summary Notes: Tongue amputations are the order of the day after snacking on traditionally served monkey brains.

A photographer on assignment in the rain forest is ambushed and held slave by a primitive tribe, until the chief's daughter chooses him as her groom. After being initiated by various tortures, he becomes a part of the tribe and helps them against modern dangers and a cannibal tribe they're at war with.

I liked this one strictly for its exoticness. Me Me Lay looks great dressed or naked. She has a great face. I have the Prism edition video. That one is missing a brief cannibal scene that later showed up in Lenzi's Eaten Alive by the Cannibals.

The cinematography was well done and I may catch some heat for this but I actually liked the music. The love scene in the river came very close to XXX.

A well placed bush no pun intended kept it soft-core. Not much gore, so jungle flick fans should like it. I know I did. It was listed as a video nasty in March but it was dropped from the list in September Re-released in after 3: Passed 18 with 3: Passed 18 for sexual violence, strong violence after 3: The film was also cut in the US for an R Rating.

Two of the videos rejected so far in were serial killer films in which sex is linked with the pleasure of killing. In one of those films, Maniac, a series of defenceless women are stalked, terrorised, attacked and murdered, while being photographed in a deliberately sexualised way.

The film is one of a genre known as 'stalk and slash', and here each stalking and killing is protracted, sometimes ending with the scalping of the victim. When the police eventually catch up with the killer, he survives, leaving us to anticipate that the stalking and mutilation will begin again.

The pleasures on offer here seem to the Board to be unhealthy and dangerous because of the way that the killing of women is linked with the sexual arousal of men. Shocking This is definitely a film that will leave you thinking. The whole time I was thinking is this guy really insane? Either this guy is a genius actor or he's really nuts. That's how real he is in this role. His presence will creep you out.

He's the biggest weirdo I've ever seen on film. The story focuses on frank the serial killer and his killings and insanity. Some of the scenes are gruesome, but they will keep you on the edge of your seat.

You will be able to put yourself in both franks shoes and feel the victims terror as she is stalked and hides from Frank Especially the subway bathroom scene. That's an intense scene. Frank keeps on killing till the end when his own demons finally come back to haunt him. Any horror fan should have this in their collection.

Passed 18 after 58s of cuts US: Trippy A topless dancer attracts, seduces, then murders the men she sleeps with using household tools. This little gem is one of the first key films to combine gore with sleaze.

Groovy 60s psychedelia, go-go dancers, sexploitation and horror, all beautifully photographed by Laszlo Kovacs, collide in a kaleidoscope of color and LSD laden sensibilities. Not to everyone's tastes though, but Susan Stewart will win a few converts.

Passed 18 uncut for strong sex, sexualised nudity, hard drug use and bloody violence for: France, a reporter working from an international news agency, manages to be paid to visit all of Munich's massage parlors. He wants to find the whereabouts of Sonia, a personal masseuse with whom he experienced perfect bliss.

Not release since The US release is uncut for: She describes herself as a naked prisoner in a windowless, doorless room from which she is finally delivered to hooded men with naked cocks in cock rings. With her head in stocks, she is whipped, fucked and humiliated.

With Rossano Brazzi and Stefano Sibaldi. Resubmitted in and passed X after about 14 minutes of cuts. Not released since in the UK. Iconic Documentary The film consists of a series of travelogue-vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise the mostly Western film audience, including an insect banquet and a memorable look at a practising South Pacific cargo cult.

Mondo Cane's shock-exploitation-documentary style was the inspiration for numerous imitations, including Shocking Asia and the Faces of Death series of movies. It was nominated for the Palme d'Or, the highest prize given to a competing film at the Cannes Film Festival. Some local authorities overruled the BBFC rating and banned the cinema release in their areas. Banned from cinema release in Ireland, Singapore and Norway.

See case study from bbfc. Based on article from en. The film contains themes of religious satire which were controversial at the time of its release, drawing accusations of blasphemy and protests from some religious groups.

Thirty-nine local authorities in the UK either imposed an outright ban, or imposed an X certificate effectively preventing the film from being shown as the distributors said the film could not be shown unless it was unedited and carried the original AA certificate. The film was also banned in Ireland, Singapore and Norway. The marketeers made use of the latter with the promotional line: The film so funny that it was banned in Norway.

One of the councils to ban the film, Bournemouth, made the news in with the first public screening in 35 years. A Very Naughty Boy Hugely controversial at the time, the subject matter of The Life of Brian was considered strictly taboo in , and even today it can still rattle a few cages, but ultimately the Python team all shared the same conviction that they were not poking fun at religion or Jesus per se, but at the people who blindly follow and misunderstand.

In this way, The Life Of Brian became not just a comedy classic, but a ground-breaking movie that pushed the barriers of what was previously considered off-limits. However the cinema release was banned by 39 councils.

The work, which includes explicit images of sexual activity, is now very dated. By contemporary standards it is clearly not a sex work, but rather a genuine attempt to inform and educate, and the Board concluded that there was sufficient contextual justification to allow these scenes at Passed 18 uncut for Blu-ray.

Camp Horror Classic When you go into the woods today, you're in for a big surprise. When you go into the woods today you're not going to believe your eyes. But it ain't no teddy bear picnic. Three girls discover that two men are willing to do anything to impress Mother and what impresses Mother is watching her son commit acts of rape and murder. Now these women are prisoners and lowered to pawns in the game of checkers between two dim wits and their Maniac Mommy and the question becomes, can any of them escape, alive?

This is a true 80's horror classic, with a little bit of camp thrown in for fun! I can't say enough about this under seen little gem! For it's time and genre, the gore and killings are just fantastic. I really dig the script as well. I say that in my opinion, the acting is absolutely fantastic contrary to other reviews. The three actresses Nancy Hendrickson, Deborah Luce, Tiana Pierce that star in this movie seem to have a great chemistry amongst themselves.

They truly give off the creepiest vibe with such ease that it's hard to tell that they are acting. Lastly, Rose Ross is fantastic in her role as Momma. She can be sweet, demanding, scary, demented, and creepy without batting an eyelash. I t is a film that really entertains the serious horror fan. Passed 18 uncut for strong violence, sexual violence for: The Director's Cut was released for: For some reason the film was submitted twice in versions running There is mild violence in a scene in which a yak stamps on a man, who is out to fetch some water in the snow.

There are also some images of battle and some rifle gunshots from soldiers, although there is no detail of injury shown. Police were called and a cinema cleared and closed after protestors pushed through the main entrance and headed for the screen showing Bollywood blockbuster, Nanak Shah Fakir.

Once inside the Cineworld multiplex at Bentley Bridge in Wednesfield. Some UK cinemas refused to show it through fear of religious strife. The Cineworld said it has no plans to show the film in future following the Wednesfield incident. Odeon also confirmed it would also cancel planned screenings following the protest.

Better than Salon Kitty This is a Nazi sexploitation flick and it has not only plenty of nudity but explicit, hardcore pornographic shots as well. That said, let me point out why this is a far better film than Salon Kitty. The two films are different versions of what is essentially the same story: Nazi Love Camp 27 has budget sets and costumes, bad dubbing, and obligatory sexploitation scenes like whippings, the lesbian warden and several hardcore penetration shots including a gang rape.

One would think that this was a thinly-veiled excuse for a porno, and to some extent it is, but it actually has a fairly coherent plot and you truly DO care about the lead character and even others.

Yes, the final scene is a bit over the top, but you're still interested in what is happening right up to the end of the film not just fast forwarding to the next naked part. Sirpa Lane's performance is strong and due to whatever quirk of talent or fate, she manages to convey the horror and the poignancy of her character's struggles. This is not to say that this is a great film, again know what you're getting into.

A cinema release was rejected by the BBFC in At least that is the romantic notion of events. The BBFC explain the events that led up to this story in a more pragmatic way. If Ferman had merely written to the distributor confirming the decision to refuse a BBFC classification, The New York Ripper may have simply been another work denied a release during the video nasties era.

However, what Ferman did next meant The New York Ripper became something of an urban legend which persists in cult and horror film circles to this day. The fact the UK distributor of Nightmares in a Damaged Brain had just received a prison sentence for his role in distributing his film made the potential for the distributor of The New York Ripper to become embroiled in an obscenity case seem very real.

Ferman was aware that the distributor could still release The New York Ripper on video tape or seek local authority approval for local cinema exhibition , in spite of the BBFC's judgement that any release of the film was at risk of comprising an obscene publication.

To do so would not only risk the distributor being vulnerable to a charge of being found in possession of an obscene work with intent to commercially supply, but could also potentially put the BBFC in the difficult position of having facilitated that supply. Accordingly, Ferman took the unusual step of informing the UK distributor that the BBFC would be re-exporting the submitted print to the original rights holders in Italy, also advising him that he should similarly dispose of any further copies of the film in his possession.

The BBFC's actions took place in a time and climate in which UK distributors were being convicted and even sent to jail for their involvement with similar films.

However, it is easy to see how the legend developed that The New York Ripper was so uniquely powerful and offensive that every print had to be escorted from the country.

Some stories go so far as to suggest the film had been removed under armed guard. Darkest and goriest The New York Ripper was a great Italian horror film from Lucio Fulci, the film was filled with plenty of gruesome death scenes and lots of sleaze, sex and nudity in fact its probably one of the sleaziest Italian horror flicks ever seen.

When an old man finds a prostitute's severed hand under the Brooklyn Bridge the police decide to do a little investigating. It seems that the victim was heard speaking to a strange duck-voiced man. As the murders add up the police detective who's investigating the case recruits a psychology professor to help find out who this Donald Duck voiced maniac could be This is a typical Fulci flick which means that the plot gets thinner during the course of the film and the bad acting which was adequate especially for this type of film could have been better but that's not important, if your a hardcore Fulci or exploitation fan then you'll obviously love this as the death scenes were quite brutal and very nasty.

One of Fulci's best. UK cinema release UK: Mask After being forcefully inducted as a soldier into war in 14th century Japan, his wife and mother remain living in a swamp. They eke out their living by ambushing worn-out warriors, killing them and selling their belongings to a greedy merchant. The woman comes to mistrust her daughter-in-law who has coupled up with a deserter, and begins to wear a facial mask she has taken from a slain samurai.

Soon the mask will not come off again. In this disguise she is at first taken for a demon by her daughter. Shindo also uses Black and White to stunning effect at a time when it was probably easier to film in colour. This is a Cinematic Masterpiece! The softcore version was banned by the BBFC for cinema release. By it was passed R18 uncut for DVD. A Jewel Porn meets Pygmalion. Misty, the hooker, meets the sexologist who thinks he can transform her from the nadir of passion into someone who inspires passion.

While Misty is trained for her big test, seducing a homosexual artist, the relationship between the doctor and Misty remains unsettled.

Radley Metzger has created an unbelievable amalgamation of great script, fantastic actors, and the best production value I've ever seen. Other films may have spent more on cheesy helicopter shots or period costumes, but you will never find a porn movie as good as this. The opening of Misty Beethoven holds up not only under the porn standard, but under any film standards.

The sex is not of the grind house variety that you find in most XXX films but it is highly erotic, entertaining and with Ms. This is a jewel of an erotic film. Passed R18 uncut UK: The Hardcore Version was passed R18 uncut for: It's a reconstruction of the Manson "family" murders 'in realistic detail', to quote the sleeve. It's not very violent at all and could easily be cut today. It was rejected for largely political reasons within the BBFC. It's actually a rather good film.

The BBFC rejected the cinema release. Yeah for Radley Metzger! A classic from the Golden Age of Porn. When adult films of the 70's made their way back into the mainstream of popular culture, Radley Metzger most definitely holds his regard as the finest adult filmmaker ever. My first encounter with Metzger's work was The Opening of Misty Beethoven which, as a boy looking through a friend's parents videos, was far more than I'd expected. Years later, I was happy to view The Private Afternoons of Pamela Mann , which, aside from the pornographic content, I found totally engrossing.

I admit being completely shocked by the surprise ending! Maybe it's the recent admiration of independent film that has made the acting in Radley's movies seem so much better, but his camera work is unsurpassed in his field. Beautifully shot, well acted smut, which borders on proving itself as erotica! Passed R18 after 8: Moderately Worthwhile The film focuses on the ups and downs of two doomed souls, Bobby and Helen, who wasted their lives in a downward spiral into hell without any realistic thought for tomorrow.

Panic has a bittersweet taste of an independent film: There is no music throughout the film, only dialogues and real life sounds. It tastes like a stale cigarette. Depressive mood and sordidness of Manhattan's Upper West Side are reflected perfectly. Intense and disturbing depiction of heroine shots are almost documentary nature. The performances of Al Pacino and Kitty Winn are top notch. The only downside is that it drags along at snails pace. It's moderately worthwhile and falls short of being a classic.

UK cinema release Passed X 18 uncut for: A semi-autobiographical documentary by the hard-core film-maker John Lindsay about the fledgling porn industry. Consisting mostly of vox pops, the film is partly a defence of porn it ends with the voiceover declaring, In the final event Seventies British Cinema porn is rather like television.

If you don't like it you can simply turn off ' and partly, and more curiously, an indictment of its own audience as sad punters who embody typical male weakness -- 'Men are such suckers when they look at pretty birdies, Lindsay remarks, adding, Men are nuts, they like to see this crap Availability Banned by the BBFC for: A Difficult Story A pre-teen girl grows up in a house of prostitution in the Storyville section of New Orleans in A beautifully filmed movie which tells a difficult story with a subtlety and power.

The movie is quite revealing about the business of prostitution during that time, but it is never exploitative and gives one the sense of how it really was, and what might happen to children born into prostitution. Malle's dispassionate take on all of this outraged viewers a quarter-century ago, but it all seems rather tame today.

UK cinema release This release was banned locally by Cardiff Council. The pre-cert VHS was released uncut. It was noted as significant that it was never prosecuted under the Protection of Children Act. The pre-cert video was eventually passed 18 uncut with previous cinema cuts waived for: Banned by the BBFC from a cinema release. Summary Notes Six female prisoners are given a weekend furlough to prepare them for their upcoming parole. While out, they all have miscellaneous sexual experiences, some good, some bad.

One returns to her pimp even though he beats her, one overcomes her frigidity, one gets gang raped, two join in a threesome, and one goes back to her criminal lover shortly before the police show up.

No UK release since ban US: The pre-cut Theatrical Version was banned by the BBFC for cinema release although further cuts qualified it for an X rating later in the same year. The Theatrical Version censors real sex via masking by the narrator's carefully placed finger. The uncut Oberhausen Cut reveals what's behind the masking, but real bestiality has proved too much for modern day censors and so has been cut from recent German and UK releases.

A Private Collection Summary Notes A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is therefore marks the turning-point between Borowczyk's career as a highly-regarded animator and surrealist filmmaker, and his subsequent career in the sexploitation field.

A pre-cut version of The Oberhausen Cut was passed 18 for strong sex, sexual violence, explicit sexual images without further BBFC cuts for: Banned by the BBFC in Not released in the UK since. Summary Notes Duke and Boots, two young thugs, hold up a California gas-station owner. Duke, viral and savage, taunts the slower and psychologically-confused Boots because he has never made a sexual conquest. Duke offers to seduce a woman for Boots and the pair force a passing motorist to pursue a sports car driven by Ann Carlyle, the lustful wife of a insurance-company executive who has some desires of her own not being met by her husband.

Cut in Australia for an R rated cinema release in Summary Notes A psychiatrist plots to murder his wife, but with a new twist: See article from refused-classification. Two scenes at 2m and 14m involve Marco raping and killing women. The latter also shows him having sex with the body.

Cuts would probably have been made to one or both of these attacks. Two other women are attacked at 34m and 77m, but neither result in onscreen rape or murder. Later the softcore version was further cut for DVD. Good piece of cinema Le Sexe Qui Parle is in that rare class of rather famous films which actually happen to be really good pieces of cinema. Penelope Lamour stars as a woman who discovers that her vagina has developed both a life and voice of its own.

This soon becomes a problem for not only her, but her philanthropist husband as well As the vagina becomes more and more vocal no pun intended , it ends up causing more and more trouble. Narratively speaking, Le Sexe Qui Parle is flawed with a fair amount of noticeable continuity errors, and the rushed ending does leave a bit to be desired in terms of resolution of the plot.

On the other hand, technically speaking, Le Sexe A portrait of human depravity Quiet Days in Clichy is an enjoyable and entertaining expose of the irreverent antics of two friends living a Bohemian existence in the Paris suburb of Clichy during the sexual revolution of the sixties. The film is based upon the novel of the same title by American author Henry Miller whose publications were the frequent cause of controversy in the US throughout the author's life.

The film has been the subject of discussion and controversy since it was first released in and the FBI seized the only English-language copies as they came into the US through customs in San Francisco - consequently the film didn't make it to US theatres. The film has even been described by the Catholic Bishops Board of Review as a portrait of human depravity.

Nonetheless, it is unlikely to shock an audience of today - the film is neither vulgar nor depraved - it couldn't really be described as pornographic; instead it could be better summarised as intellectual erotica. It is gentle and humorous. Like life, it lacks a traditional storyline and is, instead, a collection of experiences - some good, some bad, some funny, some not. Banned by the BBFC for cinema release but after 12 minutes were censored it was given an X rated cinema release in An uncut bootleg was released in the UK in Summary Notes An illustrious group of German industrialists plot to overthrow Hitler by negotiating a peace treaty with England.

Disgraced, but dedicated Nazi officer Colonel Werner von Uhland is assigned by his superiors to ferret out these deceitful dissidents and stop them before it's too late. A film based upon the same Nazi brothel bugging theme as Salon Kitty. Perhaps not as outrageous as one may expect from the packaging. However there are some attractive actresses getting into the fun. The director seems to have done a good job with the talent available. No sign of this version in the BBFC data base though, so presumably a bootleg.

Highly recommended No one would be expecting a meaningful social commentary from a film with this title, but please bear in mind when watching that this a Jean Rollin film, so don't expect a meaningful story either. This is mad, it has kinky lesbians and they're vampires. It's quite light hearted for a Rollin flick and is at the fast end of his snail like pacing, but that isn't saying much on either count.

It's no Daughters of Darkness either, so don't try to make sense of it, you'll end up as bonkers as Rollin. Instead laugh at crap vampires and revel in the kink fest in the dungeon. It's bloody great and is a bona fide Eurotrash classic.

Passed 18 after cuts of 6: With Paolo Bonacelli and Giorgio Cataldi. Gross indecency was defined in British law as anything which an ordinary decent man or woman would find to be shocking, disgusting and revolting , or, which offended against recognised standards of propriety.

Unlike the Obscene Publications Act - which at that stage did not apply to films - gross indecency allowed for no defence of artistic or cultural merit to be mounted on the film's behalf. Furthermore, there was no requirement to consider the film - or the film's purpose - as a whole. If any part of the film was indecent then the whole film was illegal. After the public cinema ban but a DPP approved version was personally edited by James Ferman for exhibition in private cinema clubs.

An uncut version was however screened in at the NFT. It was also briefly shown uncut in a Soho cinema club in but that resulted in a police raid. Not for the Faint-Hearted? You'd better believe it. And thus, it's hard to really "recommend" this film to anyone, as you wouldn't really "recommend" divorce - But it's a life experience you can gain valuable knowledge from.

Transporting the setting to Mussolini-Era Fascist Italy, four Aristocratic Libertines subject their young subjects to Sexual Manipulation and Torture, both physical and psychological. Passed 18 uncut Passed 18 uncut for: Summary Notes A search for a winning lottery ticket in his dead father's grave causes Sardonicus' face to freeze in a horrible grimace, until he forces a doctor to treat his affliction--with even more grotesque results! The audience gets an opportunity to vote--via the "Punishment Poll"--for the penalty Sardonicus must pay for his deeds Passed 12 uncut Spain: Passed 12 uncut for: Linda Blair armed with a crossbow a forbidden weapon at the BBFC avenges a deaf friend who was gang-raped.

The leader of the rapists gets shot with the crossbow and then set ablaze. Rejected for a cinema release in Rejected for a video release in An abridged version was passed 18 after further BBFC cuts for: Gratuitous Nudity This sleazy tale of high school revenge with Linda Blair is a must for bad film fans everywhere.

This sympathetic tale tells the story of Brenda Blair , a tough high school gal who spends her nights drinking peach brandy on the streets of LA with her equally tough friends. One night, they make the mistake of puttering with a gang called the Scars, and before you know it, the Scars have raped and beaten Brenda's deaf, mute sister.

Once Brenda learns the truth of what transpired, she vows revenge on those responsible. This is the pre-eminent 80's high school movie - terrible music, awful acting, questionable violence and gratuitous nudity.

Passed 18 after previous BBFC cuts waived for: An uncut R18 was available Summary Review: Period Piece Liberated '70s couple seduce another couple into experimentation with bisexuality and group-sex. The film calls for sexual liberation and it a fun look at sex and dialog of the stoned 70's. The bi-sexual theme may not sit well with a lot of folks and perhaps that is what makes the film so special and is is part of the enduring charm. People have trouble with non-traditional sex particularly for men.

Artfully photographed by Metzger himself and veteran cinematographer Franjo Vodopivec on location in Yugoslavia, has clever dialogue which removes outmoded notions of sexual parameters from the start. This movie was WAY ahead of its time with some great erotic scenes, plenty of nudity and drug references.

The lead actress Claire Wilbur is marvelous in her role as Elvira, the swinging married seductress. Lynn Lowry is quite convincing in her role as an innocent newlywed catholic school girl turned wild sexpot! All in all, this movie is great fun to watch. It is an extremely enjoyable and often shocking piece of erotic cinema. The cut US Softcore Version was passed 18 with 6: Through frequent visits to the local mortuary, she finds a clandestine society of like-minded individuals.

The movie plays its subject matter pretty straight and delivers a decent enough and unusual B movie. Insightful This movie is about the morality, education, and responsibilities pertaining to sexual freedom. Not only that, it has the most amazing child birth sequence that could and should be used as a training tool and viewed by anyone that is interested in the miracle of child birth. This very insightful movie should be shown in school sex education programs internationally along with material already being presented in that forum, and is and all around must see for anyone deemed mature enough.

It is a great introduction to various pertinent aspects in the sexual arena. With reference to native historical texts and the mythological and religious depiction of the Holy Whore, Chew constructs a mythology of a hermaphrodite who comes to town to impart a wisdom that proves to be too carnal and untimely. Years in the making and strung together with documentary-like footage of orgiastic happenings, punctuated with moments of refrain into randomness, the film soon escalates into a schizophrenic psychedelia of multicultural and polymorphous sexuality.

Banned by the BBFC for and cinema release. In his autobiography What the Censor Saw , former BBFC Secretary John Trevelyan stated that If mental illness is treated seriously, it can be entirely acceptable as material for a film, but if treated sensationally I would find it totally unacceptable. On 2 October , writer-director-producer Samuel Fuller's black and white crime thriller Shock Corridor was submitted to the BBFC for classification, and presented some familiar problems.

The BBFC Examiners notes described the film as a sensationalised picture of life in an American asylum , and one examiner noted that Shock Corridor shocked us. Their concerns included Cathy's profession and appearance as a stripper although the latter aspect is described as being rather tame' ; the incest references; the murder motive; a scene where Barrett encounters a ward full of 'nymphomaniacs ; a scene of electro-shock treatment; a nightmare sequence and a fight scene.

Their report concluded We are satisfied that cutting would be impracticable and that a certificate should be refused. As well as the issues previously noted, they believed that the film presents a mental hospital in a light that would be considered objectionable in this country and that the film could not be cut to make it acceptable.

Trevelyan also had concerns about Cathy's strip-tease, the suggestion that a sane person could fake insanity to get committed to a mental hospital, the suggestion that committal to a mental hospital could turn a sane person insane and its potentially harmful effect on mentally disturbed viewers.

Trevelyan sent a rejection letter to the film's UK distributor, stating that The film portrays a picture of mental hospital life which is far removed from that in mental hospitals in this country, and which could well cause grave concern to people who have friends and relatives with mental illness. Summary Notes Johnny Barrett, an ambitious journalist, is determined to win a Pulitzer Prize by solving a murder committed in a lunatic asylum and witnessed only by three inmates, from whom the police have been unable to extract the information.

With the connivance of a psychiatrist, and the reluctant help of his girlfriend, he succeeds in having himself declared insane and sent to the asylum.

There he slowly tracks down and interviews the witnesses - but things are stranger than they seem This was banned by the BBFC for cinema release. The film hasn't been released since in the UK. Dumbed Down Ricky, the brother of the killer in the first film, talks to a psychitrist about how he became a brutal killer after his brother died, leading back to Mother Superior.

The acting, sets, cinematography, and even the special effects are mostly amateurish, and even laughable. The following year a cut version running 4: Cosa avete fatto a Solange?

Later passed 18 after cuts for VHS. Uncut for DVD and Blu-ray. Summary Notes A teacher who is having an affair with one of his students takes her out on a boat. They see a knife killing on shore.

Other gruesome murders start occurring shortly thereafter, and the teacher suspects that he may be the cause of them. Passed 18 uncut for strong sexualised violence, nudity for: Notably banned by the BBFC for cinema release. The French version is uncut with more philosophising but makes more sense. Summary Notes The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion.

Rene discharges a personal debt by transferring possession of O to his step-brother, Sir Stephen. It is most certainly worth viewing the French original, for its insight into the world of BDSM, although as with the book it is fantasy, but that clearly shows its faithfulness to the book, and is most certainly worth watching, and a valued addition to my DVD collection.

This is really good. But I also think there’s a reason our base cultural values are used as a tiebreaker – they’re designed to minimize the average actual distaste the average person has with the status quo (You can’t have a cultural norm if too many people object to it too strongly, it ends up changing). 3 reviews of Relics By Those Callahan Girls "While in town I had the chance to walk around this awesome store. When you first walk in you are surrounded by anything you can imagine. Antiques of every kind and from pretty much any year. The /5(3). A partial exception (depending on how well it's done) to the 'not inherently funny' thing we just said about sexual assault is the sexual assault of men (including, if not especially, by women). A big part of the humour is the idea that men shouldn't need help and aren't 'manly'/masculine if they.