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D. H. Lawrence - Wikipedia

He went door-to-door to every hovel to try to find the unique female with a "snapping pussy. At Cinderella's house, he finally found what he was looking for. Director Peter Yates' suspenseful thriller, based on the Peter Benchley novel, told about a treasure hunt in the Caribbean. Two unsuspecting divers became involved in a threatening drug war. It was timed to appear soon after the success of Jaws also based on a Peter Benchley novel - making it a major box-office hit the seventh highest-grossing film of the year.

Although a mediocre film, it was credited? Producer Jon Peters was quoted as saying: The film's iconic image, extremely well-publicized and exploited both for the film and poster sales , was of wet white T-shirt wearing, vacationing scuba-diver Gail Berke Jacqueline Bisset during the opening minutes credits sequence while she scuba-dived in the beautiful tropical waters of Bermuda.

She and her partner David Sanders Nick Nolte in his debut starring film came across the remains of sunken vessels with precious cargos of morphine and jewels. In the following scene, she then emerged out of the water, sat on the edge of the dive boat, and discreetly removed her T-shirt when she turned around. The film continued to try and capitalize on Jacqueline Bisset's assets with two other scenes: Demon Seed aka Generation Proteus. Director Donald Cammell's sci-fi horror film, with a screenplay derived from Dean R.

Koontz's novel, contained one of the most bizarre and disturbing 'violation by a machine' rape scenes in cinema history. The tagline sensationally broadcast: Never was a woman violated as profanely Never was a woman subject to inhuman love like this Never was a woman prepared for a more perverse destiny The main mechanical character was a domestic supercomputer named Proteus IV voice of Robert Vaughn - a villainous technological machine similar to The computer eventually imprisoned her in the electronically-controlled and voice-activated environment of a house laboratory, and took over the house computer control system named "Alfred.

It also took the shape of a bizarre polyhedronic orangish metallic structure a giant "snake" comprised of perfectly-shaped pyramids. During a thorough physiological examination of Susan, it first took an automatic pair of scissors and cut her dress lengthwise up her body - and then it probed her all over. Its metallic fingers spread her legs and examined her intimately. Later, Proteus tried to brainwash Susan: You want to be the mother of my child.

That is the purpose of your life. Your life, my child. Proteus explained how the full-term pregnancy would last only 28 days, after which she would give birth to a "full-term infant. When she rebelled against Proteus, the supercomputer became ruthless. She was again strapped to a laboratory bed, while the machine promised: I can't touch but I can see.

After the infant's birth, it would be transferred to an incubator to grow rapidly. The baby that was born appeared to be robotic, but it was merely a metallic shell.

Once peeled off, it revealed a long-haired young daughter, a clone of the Harris' daughter that had recently died of leukemia on June 1, The child spoke with the voice of Proteus: Peter Shaffer's play rocked the London and Broadway stages in the seasons.

The play's content then further inflamed critics when Shaffer created a film screenplay for Sidney Lumet's explicit film version. Its tagline hinted at the film's plot: It opened with a voice-over, asking: The narrator was troubled, distraught, and soul-searching psychiatrist Martin Dysart Richard Burton , who was treating the boy in an extreme case of brutality.

In a rage, he had inexplicably and horrifically blinded six horses with a metal steel spike at his place of work on weekends: Harry Dalton's Harry Andrews stables. Then began a flashback, to properly and in order tell the story - set in Hampshire, England.

Slowly, the source of the severely-troubled boy's obsession with horses and outrageous behavior was determined by 45 minute daily sessions of therapy, self-tape recordings, hypnosis, acting-out, a placebo truth pill, Freudian couch discussions and the release of repressed emotions. His problems stemmed mostly from his over-protective parents, who had raised their son based on their rigid values: Alan had been introduced to Mr. Dalton to work at the stable by Jill Mason Jenny Agutter , a frequent rider and the daughter of a nearby antique shop owner.

Although Alan claimed he never rode the horses that he meticulously groomed and cleaned beyond the call of duty, the distraught and upset stable manager Dalton suspected that Alan would sneak out at night and ride the horses. Under hypnosis, Alan revealed that he rode bareback in the nude until he was aroused "stiff in the wind" and in an ecstasy, climaxed atop his beloved horse: Make us now one person".

Afterwards, he spent hours cuddling, kissing, and embracing the horse. Then Jill propositioned him late one afternoon for a date, and suggested that they see a Swedish skin flick titled "Swede and Low" in a local movie theatre. The auditorium was filled with men - Alan's father abruptly appeared and sternly dragged him outside, although Jill confessed it was entirely her idea.

And then his father explained he was solely there for business with the theater's manager - although Alan knew it was a lie. In the last twenty minutes of the film, Alan described how he was offered his first emotionally-exposed human sexual experience with Jill above the horses after they had walked back to the stable.

After they both undressed standing at opposite ends of the stable loft, they complimented each other on their mutual nakedness: He rolled off of her, turned away, and felt ashamed.

Every time I kissed her, he was in the way When I touched her, I felt him. His side under me, waiting for my hand. I looked -- looked right at her and I couldn't do it. When I shut my eyes, I saw him at once, the streaks on his belly. I couldn't feel her flesh at all. I wanted the foam off his neck, not flesh.

And I couldn't even kiss her. Although she was reassuring as she dressed: Please believe me, there's nothing at all wrong," Alan couldn't accept her words and ordered her out, disregarding her offer to sit down and talk. She protested that she was his friend and that it didn't matter, but he refused to listen. He believed that the spirit of Equus was watching him with the female, and caused him to not be able to perform. His twisted religiousity and pathological-sexual fascination and fixation with horses led to his crime.

Alan's outrage at his personal deity was triggered by his sexual inadequacy with Jill, and he took his frustrated guilt and anger out on the horses. That same night, he plead forgiveness from Equus "Equus the merciful, forgive me. It wasn't me, not really me. I'll never do it again, I swear, please! My god hast seen!

Thou, God seest nothing". Dalton arrived in the midst of the commotion, Alan screamed out: After the mutilation incident, Jill had a "complete and utter breakdown. Dysart revealed his own state of envy of the boy, who had passionately and fiercely made the horses objects of godliness and love, and wondered if curing him might be wrong: He's virtually been destroyed by it.

In order to be successful in meeting people, you don't need to wait for someone to message you. Be bold, take the initiative! Write to any users that interest you - after all, there's no such thing as having too many friends. Talking with people from different countries will definitely increase your life experience, too. Your new online friends can listen to your problems and maybe give you some helpful, friendly advice.

You'll be able to share your latest news, talk about work and your noisy boss, discuss the weather and meet people who share the same interests. Read the whole post. Perhaps their authors have failed to contemplate the nature of the Nothing - the possibility of the Nothing — to ask why there is something instead of nothing and to answer that but if there had ever been this sort of Read the whole post 6 comments.

An interesting note about this is that, in reality, both the Atari and the Sega Genesis have shared an identical input device. This means that both controllers can be hooked up to the same device without issue.

BMO is sometimes seen with two slots to plug in controllers and sometimes with a compartment on that spot that opens up to where controllers can be plugged in. This is likely a reference to the gifts given to the Scarecrow, Tin Man, and Cowardly Lion in the film The Wizard of Oz , symbolizing a brain, a heart and courage. According to Finn, "BMO does weird junk when no one is around.

This potentially causes BMO to act like completely different people, and have its "multiple personalities" communicate with each other. Most believe this is just BMO's hyperactive imagination. BMO claims to not have emotions, but this is perceived to be inaccurate.

BMO demonstrates independence when it refused to turn down the music even after Jake tells it to. BMO is very protective of Finn and Jake. It's a far too dangerous, incredible adventure for you! BMO often acts to maintain the harmony of friendship between Finn and Jake. In " Card Wars ,". BMO refuses to "play such games with Jake because Jake cannot deal with losing.

BMO likes a number of games and even a few sports. There, BMO attempts drinking the tea with their pinkie finger up, but Football does not.

BMO drank again and again, resulting in self electrocution. BMO has never been seen actually consuming food. BMO also likes to dance. BMO is shown to be ticklish. Characters refer to BMO using both masculine and feminine terms.

BMO's purpose was to entertain MO's son but never had one so he let them out in the world to meet another little boy so for BMO whatever gender Finn wanted BMO to be as in evidence in " Conquest of Cuteness " as he refers to BMO as "their lady" if he wanted a little sister or a little brother.

BMO will sometimes play pretend games in which they assume a specific gender, such as calling themself a "little living boy" in "Davey. In " Fionna and Cake ," BMO is briefly seen in the tree house with no noticeable differences in design aside from their controller , as opposed to the other characters, who have all been gender-swapped. This is because BMO flips their gender as is, and are gender neutral. BMO does not understand the reproduction of humans because Finn is one of the few humans left after the mushroom war.

In " Football ," BMO is referred to by Jake as a boy when he says "put that traffic cone back on your head young man. One of the many functions BMO has is the ability to send users into a video game through their main-brain-game-frame by pressing a button located under their d-pad.

By doing this, users are able to play the game in a virtual reality where they can physically complete objectives, with the possible risk of actual death. This process can also be reversed, and things within the game can be transported into the real world. BMO also possesses several attachments which allows them to perform various tasks aside from video games. This includes the ability to put up a holographic display of their screen to support a wider audience. BMO also possesses editing software for film creation, but they have a personal choice regarding the footage that is actually used to make up their films.

In "Conquest of Cuteness", BMO reveals a built-in camera with the flash emerging from the top left of their head while their screen works as the lens. However, this function appears to exhaust BMO, likely because they use their own energy to charge and power the devices.

BMO is also able to perform a sneak attack known as the BMO Chop, which they state to a victim of the strike, "If this were a real attack, you would be dead.

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